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Why do we love Horror, guest post from Valerie Wilson

     Posted on Thu ,16/05/2013 by Administrator

Top 4 Websites from Which to Buy Horror Memorabilia

You’re that type. You live for it! The blood, gore, screams, and shrieks just get you every time, and you love the adrenaline rush. There will be no mellow music, chick flicks, or romance movies on your TV. Fingernail scratches, pitch-black scenes of horror, and rapid heartbeat responses.

Got it.

Understood.

You are not alone! Millions of others share your passion, and finding horror memorabilia to honor your passion is not so difficult. Narrowing down the search can be a bit cumbersome though, so – look no further.

  1. The Prop Store is just plain fun. Searching around this website will eat some time and get your imagination popping with your favorite scenes from every horror movie you’ve ever seen. From the costumes to the masks to the props, gadgets, and more, get ready for some smirks.

 

 

Rough day on the Little League field?Look out. He’s pissed!

 

  1. The Horror Warehouse has the mother load. From posters to toys to comics, masks, and props, you’ll find it all here. This website also has a few fun links, as well. There’s a great listing of competitions to consider; if the horror genre is your passion, you can consider making your next vacation to the Destination of All Things Freaky and create quite the photo op for yourself!

 

He’s tired. He gets stuck in that yawn mode a lot. Needs a little sun, too, don’t you think? He seems a little pale.

 

  1. eBay: Thousands of others join you in your love-of-all-things-gory. The ever-popular eBay is always loaded with the best prices on the two most popular items for those movies. Check here before anywhere else if you’re just looking for something for the walls or you DVD player.

 

Don’t want Girl Scouts to come knocking on your door? Um. This could be a good way to keep them away…and to get the local cops to come say “hi,” too!

 

  1. Movie Memorabilia: This site is a crack-up. Interested in a replica of the Dark Knight “Wanted” poster when The Joker was on the loose? Or how about an authentic police badge from Batman? From crime scene tape to the ugliest heads and bulging eyes you’ve ever see, this is just a fun one to click around. Here, you can bid on dozens of props that were actually used in films – from fake food to cash to artifacts from Indiana Jones films, this is a great online store to consider.

 

You don’t just want to just watch and scream; you actually want to be SURROUNDED by this stuff. If Psycho, Nights of the Living Dead, The Exorcist, The Shining, and Texas Chainsaw Massacre are your “thing,” then take a look at these websites, and have some fun building your collection.

All of these websites accept credit cards online, so a quick click of your bloody mouse and you’ll have guts and gore delivered right to your door step. Set the stage for your movie décor or your next Halloween or Freaky Party – and let the good times roll!

Valerie J. Wilson is a freelance writer for many companies. She enjoys writing about entertainment, marketing, and health and wellness.

 

 

Excerpt from David Khara “The Bleiberg Project”

     Posted on Sat ,04/05/2013 by Administrator

(First published in French as Le Projet Bleiberg, ©2010 Editions Critic. English translation ©2013 Simon John. First published in English in 2013 by Le French Book, Inc., New York).

 

The Bleiberg Project

By David Khara

Here is an excerpt of The Bleiberg Project, an adrenaline-pumping conspiracy thriller and the first in the Consortium Thriller series by the French writer David Khara. Are Hitler’s atrocities really over? For depressive Wall Street trader Jeremy Corbin, absolute truths become undeniable lies overnight. He finds out his long-lost father is dead, he discovers his boss’s real identity, and he ends up boarding a plane to Zurich. He has a Nazi medallion in his pocket, a hot CIA bodyguard next to him, and a clearly dangerous Mossad agent on his tail. What was his father investigating? Why was his mother assassinated? Why are unknown sides fighting over him with automatic weapons? Can the conspiracy be stopped? This fast-paced thriller full of humor and humanity was an immediate sensation in France, catapulting the author to the ranks of the country’s top thriller writers. It was published in English by Le French Book, a digital-first publisher specializing in best-selling mysteries and thrillers from France.

DAY 1

CHAPTER 1 

Stutthof Concentration Camp, 1942.

Two years. Two long years in the frozen hell of northern Poland. You couldn’t say he wasn’t devoted! Horst Geller had joined the Schutzstaffel at the beginning of 1936. He was twenty-three. He had never been a big Hitler fan, but when he saw the way the führer fascinated the mob, he knew joining up was the smart thing to do. Horst had chosen the SS to be left alone, not to be part of Hitler’s personal protection squad. As a member of the SS, he knew his family would be respected and protected from the cloud of paranoia that hung over Germany. His homeland had gone insane and taken Europe down with it. But one day, the war would be over, and order would return. Horst was even willing to bet his little apartment on it.

In 1940, he found himself married and soon thereafter, a father. His whole life changed with this double reward. But 1941 hadn’t begun well. His higher-ups gave him a promotion, which in itself was good, even if he hadn’t asked for anything. But it meant a transfer to Poland to guard a prison camp. It was an important mission, and all of his attempts to refuse the transfer had failed. So Horst had gone, heavy-hearted, leaving his wife, Karin, and his baby daughter, Gisela, behind.

“At least it’s not the front,” he told his grief-stricken wife in lieu of goodbye. Two colorless summers passed, both followed by winters, proving every night that hell is, indeed, a very cold place. From time to time, Horst got leave and went to Danzig, thirty-five miles to the west, where he’d get drunk and try to forget his solitude with the “soldiers’ girls.” His pay kept his wife and baby comfortably fed, which meant one worry fewer. Work in the camp wasn’t very complicated. He just kept an eye on the dissidents sentenced to forced labor in the Deutsche Ausrüstungswerke, a special weapons factory that belonged to the SS. Sometimes he pulled Jews out of trucks and shoved them into the barracks, and once a week he supervised the distribution of the meager rations of bread and turnip soup. He occasionally took pleasure in seeing the Jews in their rightful place, but there were also children, and it was becoming more and more difficult to bear their fearful gazes and pleading. Horst didn’t want to hurt them. Of course, he had no sympathy for the Jews, and if he was asked to execute kids, he would, and for a simple reason: It was him or them.

Horst was an ordinary man lost in an endless winter, surrounded by hungry dogs and maniacal executioners. Sometimes he wondered how many other soldiers felt the way he did. How many of the elite soldiers answering to Reichsführer-SS Heinrich Himmler wept at night? At least one other, he hoped.

But SS Geller was even more depressed than usual that night. The temperature hovered around five below, and he was standing guard at the hospital, an imposing building much cleaner than the prisoners’ barracks. The hospital would have given him the chills if he weren’t already frozen stiff. The Jewish children who still had the strength to stand were sent here to satisfy the needs of the strange man who directed the place, known only by the name Herr Doktor.

The doctor never left the hospital and never mixed with the guards. Nobody had heard his voice. He communicated his needs in notes to the camp’s new commander, Major Hoppe. Sometimes equipment was transferred from the weapons factory to the hospital, but the camp director was the only other person allowed inside. Horst had once come upon Major Hoppe unloading the shipping cases himself. Hoppe was a cruel, brutal man, not the kind of guy to take orders from just anyone, so the doctor had to be an intimidating character. Still, nobody tried to find out more. In the absurd world of Camp Stutthof, ignorance eased one’s sleep and extended one’s life expectancy.

November 9, 1942, was a special day. That evening, Himmler himself was going to visit the hospital. The camp’s best soldiers were told to show the military and spiritual leader of the SS just how impeccably Stutthof was run. If everything went well, Hoppe thought they might receive more resources, men and equipment.

Horst was jittery. He took a long, hard drag on his cigarette and felt the smoke warm him up. His black leather gloves reeked of cold tobacco. He caught sight of a guard with two huge attack dogs patrolling the camp’s barbed wire perimeter. At least that guy got to move around.

There were nine soldiers waiting with Horst, conscientiously freezing their asses off in the name of their supreme leader. The group was silent, but the looks they exchanged said much about their general weariness. Himmler and his staff of brownnosers would arrive in a few moments. The men would perform their pantomime without a hitch, and tomorrow morning a hot cup of coffee would help Horst forget the frigid cold.

The evening was bright, and the moon and stars shone from an immaculate sky, lighting up the fine mist that perpetually rose from the region’s boggy ground. (The bright yellow searchlights in the guard towers were turned on only in high alerts.) Suddenly Horst and the nine other men threw down their cigarettes and crushed them under their heels. The sound of a motor could be heard coming down the dirt road that connected the camp to civilization. The rumble grew louder. Soon they could make out two approaching military vehicles. To their astonishment, the motorcade had only these two vehicles. The latest news from the front was good, but how could such an important man have such a small escort? Horst concluded the visit was top secret or, at the very least, meant to be discreet. The gates swung open, and the vehicles rolled to a halt in front of the honor guard.

The ten SS men snapped to attention, rifles resting on their left shoulders, their right arms lifted at a forty-five-degree angle, hands extended. Major Hoppe and the doctor hurried down the hospital steps and waited motionless in the middle of the two rows of soldiers. Four blond men emerged from the first vehicle. None were under six feet tall. They wore simple black uniforms in spite of the bitter cold.

One of them moved to the second car, opened its rear door and saluted Heil Hitler in a single crisp motion. Heinrich Himmler stepped out and gave the colossal soldier a friendly pat on the arm. A stiff aide-de-camp followed behind, carrying a heavy briefcase. The four men swiftly surrounded the reichsführer-SS and his assistant.

Horst watched the spectacle unfold from the corner of his eye. Four Bavarian woodsmen, dressed for August, protecting two little men in glasses, wrapped warmly in their greatcoats. Himmler headed up the two lines of soldiers with his men in tow. Major Hoppe and the doctor tried to hide their disappointment as Himmler momentarily ignored them to review the honor guard, smiling and uttering words of encouragement to the men. Himmler stopped in front of Horst.

“Is this climate too harsh for you, private?”

Surprised, Horst felt his heart begin to race. The devil could read his mind! He seized the opportunity. A little sucking-up couldn’t hurt. “For you, Your Excellency, I would guard the North Pole.” Himmler came closer. He had the fat, round face of a prosperous family man, but his pince-nez framed a malicious and disturbing expression.

“That isn’t what I asked,” Himmler replied under his breath. Horst stiffened.

He’d been exposed, but he remained calm. He was tired of pretending. “Poland is hell. I miss Hamburg, Your Excellency.”

Keeping his gaze fixed on Horst, Himmler removed his glasses and wiped them clean. “You’ll be transferred tomorrow.” Horst’s smile evaporated, and he swallowed nervously. He’d gone too far. Time stood still. Himmler’s face wore a placid expression. “You’ll be sent to Wewelsburg Castle. I’m sure you’ll find the Westphalian climate more agreeable. I need more people like you—people who speak their minds. I’m surrounded by toadies, competent though they are.” He nodded, indicating Major Hoppe.

Horst tightened his salute in relief. “Thank you, Your Excellency.” He held back a Heil Hitler that wouldn’t have helped matters at this point. Himmler turned away and gave instructions as he walked. His assistant nodded in agreement. They joined the camp leaders and swept into the front hall of the top-secret hospital. The masquerade was over.

The other guards gathered around Horst, taking out their cigarettes and lighters in unison. They warmly congratulated their lucky colleague. Horst tried to conceal his happiness, aware that his companions would soon be tormented with jealousy. They eventually dispersed and headed back to their quarters, but Horst stayed alone, his feet planted in the middle of the path. The knowledge that he would soon leave seemed to sharpen his senses. From now on, every breath of this frigid air would bring him closer to Germany and closer to home. He would hate Poland for the rest of his life.

One day he’d forget the horrors committed here. He took out the photo of his wife and baby from his inside pocket and kissed it. Suddenly, his vision blurred. A sharp noise wracked his skull. Where was it coming from? He tilted his head to the right. Orange flames enveloped his shoulder. The cold gave way to warmth, the world teetered, and he fell face-down. As the life painlessly left his body, Horst saw a trickle of blood run across the ground and over the photograph he was still holding in his burned hand. A child’s bare feet scampered across frozen earth; this was his last vision. Horst Geller, SS man by happenstance, a husband and father swept up in the general madness of war, died November 9, 1942. He was one of ten official victims in an assassination attempt against Heinrich Himmler. The master of the Black Order survived.

The final solution rolled inexorably onward.

CHAPTER 2

 

Manhattan, present day, 9:48 a.m.

 

This morning, like every other morning, I’m hung over. My brain is fried. I’m a piece of shit. My head is pounding, and as I grope for aspirin on the bedside table, the lamp falls to the floor and breaks. How did that get there? When I sprinkle two pills into my palm, I feel better already. I toss them back and swallow them dry—water’s for pussies. I bury my head in the pillow. I don’t know what time it is, and I don’t give a damn. There’s a nagging sound, like something continually falling—or a lot of little things. My mouth tastes like tobacco. I’m a human ashtray.

I identify the sound. Water. A girl is in my shower. What’s her name again? I don’t remember, and I don’t give a shit either. If she’s taking a shower, she’s leaving soon. Fine by me. Everything is fine by me, as long as I take the hits. There’s one thing left to do, but I don’t have the guts. I just want to be done with it once and for all. I could use a rope or jump off a building, but I’m a coward. So until I find an easy way out, I’m killing myself one day at a time. It’s the same thing in the end.

She comes through the room, and I open an eye to see what she looks like. Small, brunette, tight. Not bad. She doesn’t look at me and probably doesn’t know my name either. But now I remember hers. Rachel. Is it Wednesday? Rachel was Tuesday. Actually, no, I don’t know her name. She makes an incredible amount of noise for somebody getting dressed. I hear her saying something from the other room. My face is still in the pillow, and I can’t understand. Probably “see you later.” Sure. See you never.

Finally I’m alone. I open my eyes. The fog in my head is gone, but it took its sweet time leaving. Ten in the morning, and I’m late for work as usual. That bitch splashed water all over the bathroom! I hate that. It’s a holdover from the days when I liked everything to be neat and in its place. I mop up the floor with a towel and get in the shower. The warm jets of water massage my body and gradually wake me up.

I’m thirty-one. I’m an asshole trader who works for a piece-of-shit Wall Street firm. I’m just a nobody, but I still seem to have a name: Jay Novacek. I turn off the water and grab a pack of cigarettes that’s been left beside the sink. I couldn’t just leave it there all alone, poor thing. I light one, because if I’m going to stick with my two-pack-a-day habit I have to get cracking. I look in the mirror and have to admit that I’m pretty well-built, though the memories of college sports and my occasional squash matches seem pretty distant now. I’m a good-looking guy. Girls say so, anyway. Blue eyes and a square jaw—they like that. The mirror steams up, and I can’t see myself anymore. Thank God.

 

10:20. I’m smoking my third cigarette and sprawled on the beige leather couch in the living room. A steaming cup of coffee rests on the glass coffee table. Coffee is the only way I’ll make it through the day. If everything goes well, I’ll be dressed in ten minutes and in my office before eleven. Miracles can happen.

I hate my apartment. It reeks of money—big, empty and cold. Did I ever like this shit? Leather? Glass and black lacquer? Abstract scribbles and splatters by painters more fashionable than talented? I guess the answer is yes. I recognize my personality only in the plastic Spider-Man and Doctor Doom figurines on top of my stereo system.

I take another drag. I’m a piece of shit who can’t even remember what he did last night. But I do remember every detail of one day by heart, to the point that I play it in my mind again and again. How long has it been? Six months? My memory of that day is as vivid as the coffee cup in front of me. I close my eyes and replay the events of that day for the umpteenth time…

I’m at the office. In front of me are six computer screens, blinking everywhere, with graphs, curves, trends, numbers. The world’s economy in a nutshell. On the other side of the Earth, people get up, work, pay back their loans, do their best to scrape by. But to me they don’t live. They produce. And what they produce makes me rich.

It’s Monday morning, and Dow Jones has collapsed. My friends are all trying to sell, but I’m buying everything that comes past. At the market’s close that afternoon, the results are unprecedented: an eleven-point gain. I’m a star. I’ve just made a billion dollars for my firm, and fifty million of it is mine. Nobody’s hotter than me. My boss is on cloud nine. My clients call, one after another, to thank me for what I’ve done. Champagne in the boardroom with the decrepit senior partners, conservative assholes, every one. The associates join us, and we pass the bottle around. When it’s empty we go to dinner—French and expensive. You do what you have to do. The other traders watch us go by like masters of the universe. They throw me dirty looks. They can go screw themselves, the losers. In the elevator we joke and slap each other on the back.

Up until then everything was going fine. The sound of the doorbell snaps me back to the present. 10:23. Shit! Who the hell could it be? Whatever. Go on, asshole, ring all you want. He’s a persistent asshole. I drag myself to the door. This apartment is way too big. I slide back the deadbolt and turn the knob. Two huge military men are standing ramrod straight in the hallway. They’re wearing their best brass, white gloves, hats, the whole nine yards. Even their medals are out, and these guys have a few. I’d say the first guy, the older one in front, has about fifty. His clone, twenty years younger, has nearly as many. They would seem to serve a purely decorative function.

“Mr. Corbin?” (Nobody’s called me that for at least twenty years.)

“Mr. Corbin is my father. I’m Jeremy Novacek.”

The penguins don’t even flinch. “Jeremy Novacek, we’re here to present our sincere condolences on behalf of the armed forces of the United States of America. Your father, Air Force Lieutenant General Daniel J. Corbin, passed away. It’s an honor to present you with this flag, as well as your father’s military decorations.” They give a military salute—rigid but clean. I’m not sure what to do. They don’t look like they want to come in and kick back. I salute in return. It seems to work. They turn to the left and leave in step with each other. I push the door shut and stand there. I’m holding a flag folded in a triangle and a box of metal scraps stamped with eagles and stars.

My old man is dead. I lean against the bar in the kitchen, grab a bottle of cognac and throw back a gulp. News like this calls for a celebration. Today’s program has just changed: first the office and then a train to Poughkeepsie. I ought to tell my mother that Lieutenant General Corbin finally decided to kick it.

 

 

ABOUT THE AUTHOR

David Khara studied law, worked as a reporter for Agence France Press, was a top-level athlete, and ran his own business for a number of years. Now he is a full-time writer. Khara wrote his first novel—a vampire thriller—in 2010, before starting his Consortium thriller series. The first in the series, The Bleiberg Project, became an immediate bestseller in France, catapulting Khara into the ranks of the country’s top thriller writers.

ABOUT THE translator

Simon John was born in the United Kingdom. After graduating from Cambridge University, a quest for wine, women and goat cheese led him to Paris, where he began working in film production and translation. He primarily translates and subtitles movies, such as Michael Haneke’s Palme d’Or-winner Love and blockbusters Taken 1 & 2. After twenty fertile years and 3,713 goat cheese salads in Paris, he is now based in Berlin.

ABOUT le french book

Le French Book is a New York-based digital-first publisher specialized in great reads from France. It was founded in December 2011 because, as founder Anne Trager says, “I couldn’t stand it anymore. There are just too many good books not reaching a broader audience. There is a very vibrant, creative culture in France, and the recent explosion in e-reader ownership provides a perfect medium to introduce readers to some of these fantastic French authors.”

More thrillers and mysteries at: www.lefrenchbook.com

Guest blogger Danny Gallagher “Why does Horror have such a bad reputation?”

     Posted on Sun ,07/04/2013 by Administrator

Why Does Horror Have Such a Bad Reputation?

By Danny Gallagher

The horror genre has been a part of storytelling and literature since the dawn of artistic expression. Works such as Mary Shelley’s Frankenstein, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Bram Stoker’s Dracula, and even William Shakespeare’s immortal Macbeth aren’t just among the most beloved and critically lauded horror tales of all time. They are often among the most beloved and critically lauded tales of all time, period.

These days, the genre has earned a strange reputation, even for one that revels in bloodthirsty creatures and demons. Critics and scholars in just about every artistic medium seem to regard attempts to raise the blood pressure of its readers or viewers in the same vein as a third-rate comic book.

It’s far from being on life support. Horror fans have built thriving communities that hold annual conventions and celebrate the contributions of old and new talent who are breathing new life into the genre.

It also still rakes in the dough at the box office. Guillermo Del Toro’s Mama recently reached the top spot in its opening weekend. However, it’s not the biggest moneymaker compared to other blockbusters. None of the top 20 grossing movies of 2012 fell into the horror genre, unless you count the eye-bleeding badness of The Twilight Saga: Breaking Dawn Part 2.

The proliferation of horror movies also deserves some of the blame. The B-movie genre often falls on horror to make a quick buck by cheapening its product. The proliferation of the low-budget slasher movie throughout the 1980s relied less on plot, purpose, and true terror to give audiences a cheap thrill with buckets of blood, short scares, and increasingly gruesome violence. Some of the greatest films, plays, and novels of all time use these devices, but they also weaved them into a deep, thoughtful narrative with loads of pathos.

This means that stories that have a creative twist on such a tired genre have a hard time fighting the usual stereotypes that have stigmatized the entire genre. Joss Whedon’s ingenious take on the slasher movie The Cabin in The Woods found new ways to turn a familiar story completely on its head. It wasn’t a bomb, but it failed to find a big audience outside of the horror-loving crowd.

Movies such as Saw and Paranormal Activity also found creative new ways to terrifying massive audiences, but their never-ending series of sequels can cheapen the genre all over again by simply copying and pasting the same movie on a different reel.

Horror stories can also be a thorn in the side of parents who don’t feel it is appropriate for their little ones to be exposed to such graphic violence or dark depictions of the world. Censorship has long been a problem for the horror community, even after free expression has risen above the heavy hand of political suppression. None, however, have done more damage to the genre than psychologist Dr. Fredric Wertham. His infamous tome Seduction of the Innocent, released in 1954, tried to virtually destroy horror comics such as “Tales from the Crypt” and “The Vault of Horror” by linking its dark stories and grisly images to the rise of juvenile delinquency. The false dichotomy of the two may have been disproven to some extent since then but the iron fisted influence Wertham’s crusade and the Comics Code Authority formed in the wake of these accusations gave parents one more reason to sleep less at night for generations to come.

Modern horror literature isn’t finding it as hard to find time in the spotlight thanks to the rise of graphic novels, but traditional books have been engulfed a bit by mainstream book publishers who focus only on finding the next Twilight or Hunger Games-esque hit.

There are plenty of horror authors who found massive success in the mainstream spotlight such as Stephen King, Richard Matheson, and Bentley Little, but even they can get lumped into the same tired stereotypes by critics and scholars that squash the paths of budding horror writers who could take the genre in new and exciting directions.

Horror as a whole isn’t dead. It’s got a strong fan base and audience who still loves the thrill of feeling adrenaline run through their bloodstream as they are scared out of their wits. It may never reach the same level of acceptance as so many other pop culture successes, but its fans seem to like having a corner of culture that they can call their own.

Danny Gallagher is a freelance writer, reporter, humorist, and blogger.

Interview with Jeff Horton on his newest book “Cybersp@ce” conducted by World Castle Publishing

     Posted on Sun ,07/04/2013 by Administrator

Suspense Magazine Interview

 

Q-  What was your inspiration for CyberSp@ce?

A- Cybersp@ce is my latest novel, just released in paperback in January, 2013. I guess I was inspired by three converging interests of mine: politics, technology, and science-fiction. With decades of Information Technology under by belt, I’m all too familiar with how we all are to cyber attacks and cyber warfare. When I researched my first published novel, The Great Collapse, I learned a lot about how fragile out infrastructure is, and included some of that feel into Cybersp@ce.

 

Cybersp@ce is a techno-thriller, mixing my interest and background with technology with the intensity and the chase of a thriller.

 

In Cybersp@ce, the Chinese have been launching cyber attacks against America, mostly stealing secrets and always seeking an advantage over America. When a devastating cyber attack suddenly leaves 100,000 people in the United States dead, evidence points to the Chinese, setting the world on the inevitable march towards nuclear war. Nick Reynolds with US Cyber Command soon learns that former KGB agent Nikolai Chervanko, who has long dreamt of building a new Soviet empire, could be behind the massacre, with something even bigger planned. Lacking evidence linking Chervanko, however, outrage over the attack soon forces the United States to declare war on China. With no means to stop another destructive cyber attack and prevent a nuclear conflict, Nick finds help from an unlikely source—from Area 51.

 

Cybersp@ce is the first installment in a trilogy. In fact, I’m currently working on re-writes for the sequel.

 

Q- How did the characters come to be?

A-The  main characters in Cybersp@ce came about during the creation of the outline, each fulfilling an integral role in the story. Nick is the hero/protagonist, sometimes feeling like a failure with a very heavy burden to carry. Chervanko is the psychopathic antagonist, seemingly void of emotion. Kate is Nick’s love interest, and fulfills another much-needed role as a key scientist. Henry Summers is the loving father and the voice of wisdom and experience, a softer counter-balance to General George Caprella, Nick’s supervisor and mentor. A supporting cast of characters, including some of Chervanko’s associates, who are also former spies, the FSB agents, and the Chinese ambassador, all help round out the plot as the multiple plotlines gradually converge near the end.

 

Q- Which character in the book is more like yourself?

A-I suppose Nick Reynolds, though I won’t rule out the possibility that some of the darker characteristics of the antagonist, Nikolai Chervanko, might present somewhere deep down as well.

 

Q- What book are you reading right now?

A-I’m currently reading two very different books. The first, Paradise Lost by John Milton, and the other is Without Remorse, by Tom Clancy.

 

Q- What are you working on at this time?

A-As of the day of this interview, I’m working diligently on re-writes of my sixth novel, tentatively entitled, Frontiers, a sequel to Cybersp@ce. The second in the trilogy and with more of a science-fiction edge to it than Cybersp@ce, it chronicles humanity as it takes its first, tentative steps, as an emerging, space-faring race among the sentient races of the galaxy.

 

Q-  Where can we find Cybersp@ce?

A- Cybersp@ce Buy Links

 

ISBN-13: 978-1938961571

ASIN: B00AVCHWH6

Amazon

Paperback-               Cybersp@ce (Paperback Edition) on Amazon

Kindle-                      Cybersp@ce (Kindle Edition) on Amazon

Createspace

Paperback & eBook: Cybersp@ce (Paperback and eBook) on Createspace

Barnes and Noble       Cybersp@ce (Paperback and eBook) on Barnes and Noble

 

Q- Where can we find you on the internet?

A- Author Contact Information:

Email:                          jeff@hortonlibrary.com

Website:                      www.hortonlibrary.com

Facebook Page:           https://www.facebook.com/Author.Jeff.Horton

Twitter:                       http://twitter.com/#!/Jeff_Horton

Goodreads Page:         http://www.goodreads.com/author/show/4478744.Jeff_W_Horton

Amazon Author Page: http://tinyurl.com/8tapc5x

Blog                            http:// http://anovelsperspective.blogspot.com/

Shelfari:                       http://www.shelfari.com/jeffhorton

Librarything:               http://www.librarything.com/author/hortonjeffw

AuthorsDen:               http://www.authorsden.com/jeffwhorton

Pinterest Page:       https://pinterest.com/authorjhorton/

Google+:                     https://plus.google.com/111088200879432148676/posts

You Tube Channel: http://www.youtube.com/user/hortonlibrary?feature=mhee

 

Thank you!

 

Blurb-Cybersp@ce

 

A devastating cyber attack leaves 100,000 people in the United States dead, and evidence points to the Chinese, setting the world on the inevitable march towards nuclear war. Nick Reynolds with US Cyber Command soon learns that former KGB agent Nikolai Chervanko, who has long dreamt of rebuilding his beloved Soviet Union, could be behind the massacre, with something even bigger planned. Lacking evidence linking Chervanko, however, outrage over the attack soon forces the United States to declare war on China. With no means to stop another destructive cyber attack and prevent a nuclear conflict, Nick finds help from an unlikely source—from Area 51.

Excerpt: “Deep Screams” by G.R. Holton

     Posted on Sun ,07/04/2013 by Administrator

Suspense Entry – G. R. Holton – Deep Screams : http://www.amazon.com/Deep-Screams-ebook/dp/B005CBWYFQ/ref=cm_cr_pr_product_top

 

Synopsis: By the year 2145, the nations of Earth had finally gotten past their differences, and the Earth Coalition was formed. The people of all countries were now united as human beings, not segregated by nationality or race since multiple wars had left parts of the planet uninhabitable, the Coalition decided that a space station would be launched into deep space on a twenty year mission to find planets in other solar systems that could sustain human life.

Six years into the mission, all signals from the Omega Space Station had suddenly stopped.  The Coalition called for an emergency mission to intercept the space station, to ascertain what had happened to the ship and crew, and to do whatever was necessary to bring the station back online.

As they embarked on their mission, the new team had no way of knowing what they were going to encounter when they reached the Omega. Once there they find that it’s not the station that is dead… and they’re not alone!

 

Excerpt: It took a little more than an hour for the mass to pass over David and the ship, and by then, he was covered from head to toe with the dark red particles from the cloud. In the transition chamber, he was sprayed down with a sterilizing agent in an attempt to eradicate any organism that may be living in the particles. He watched as the red particles fell to the floor and were sucked back out into space by the ship’s vacuum system. When he was finally given the all clear, he removed the space suit, hung it up, and headed back to engineering to resume his duties. He met back up with Davis Storm as he approached his work station. Davis smirked and slapped his buddy good naturedly on the back. “Hey there buddy. I heard you were in quite the dust cloud out there. Maybe we should start calling you Dusty for short.”

David grinned. “You start doing that and I will send Jessica a few of those pictures we took of you back in school at the graduation party. You know the ones…. with the bra and skirt?”

Davis raised his hands in surrender, chuckling softly. “Okay… Okay… I won’t rag on you anymore man.  I do need your help though. We have a coupling issue with one of the generators that I could use you on.”

David laughed, patting Davis on the back. “Let’s get to that generator then.”

***

Just as the two engineers had completed the repair on the coupler, David Suddenly put both his hands on his temples, massaging them with his fingers. “Hey Davis, I am not feeling so good, man. My head is really splitting.”

Davis gripped David’s shoulder, trying to peer into his eyes. His pupils were fixed and dilated, and his face had lost its color. “You aren’t looking too good either dude; you look kind of pale. You better go see the doc before it gets any worse.”

Doctor Vlasizk looked up from his paperwork as David stumbled into the infirmary, and his eyes widened in surprise. He placed his pen on the desk and said “Mr. Zimpkinz, you aren’t looking vell. Come on in and letz get a look at you. Go zit on dat table over dare. Are you feeling any painz?”

David pressed the palms of his hands against his temples as he stumbled to the table and sat down. “Yes, Doc, my head is splitting.”

The doctor approached the table and took a pin light out of his pocket.  As he shone it  into David’s eyes, studying his fixed pupils, he asked “Have you ever had dis happen before?”

David winced, pulling away from the light. “No sir, I don’t get headaches; maybe a hangover once in a while, but not like this. In fact, I never get sick at all…I’m lucky, I guess. But this is killing me.”

He raised an eyebrow. “Zo you never get zick. Hmmmm…. are dare any other izzuez?”

“Yes sir, I just started feeling sick to my stomach on my way here. It came on all of a sudden like the headache did.”

The doctor put the pen light back into his pocket. “Okay, firzt ding iz I need to take a blood zample to make zure it is nodding viral.”  David swallowed hard and nodded as he watched the doctor pull the blood sample kit out of a drawer. His eyes widened as he focused on the needle in the doctor’s hand.

“I need you to roll your zleeve up furder.”

David’s eyes never left the needle as he pushed his sleeve up so he failed to notice the red particles that fell on the doctor’s hand.  The doctor noticed them, however, and he lifted his hand to get a good look at them. He then moved David’s collar and examined his neck. He blew out a breath, grumbling, and then tried to wipe the particles off his hand as he spoke, “David, vhat is dis red ztuff dat iz on your neck?”

“It must have come from that red cloud that covered me while I was working outside the ship… but they sprayed me down in the transition tube!”

COVER RELEASE! “The Never List” by Koethi Zan

     Posted on Mon ,04/03/2013 by Administrator

This is something a little different that we thought was cool to add to the blog site.  Author Koethi Zan gave us her upcoming book cover “The Never List” so readers would have a little sneak preview into her newest book. So without further delay, here you go:

 

The Never List cover

 

Author Bio

     When Koethi Zan was born in the sleepy farming town of Opp, Alabama, the “City of Opportunity,” her mother was Valedictorian of the local public high school and her father the star of its football team.  Her parents named her after the homecoming queen of Lurleen B. Wallace Junior College, perhaps hopeful that some of that glory would rub off on her.

But Koethi would never be a homecoming queen.  In fact, she spent most of her youth in her room, reading, listening to Morrissey, and avoiding everything connected to high school football—not an easy task in those parts.

After graduation, Koethi put herself through Birmingham-Southern College with scholarships and a small “cow fund” courtesy of Molly, the Charolais heifer she’d received as her third birthday present.  She used the money wisely, travelling to New Orleans on the weekends to hit the club scene, almost always in silver-sequined costume, surrounded by transvestites, Goth kids and her gay male entourage.  Perhaps, in some roundabout way, she had fulfilled her homecoming queen destiny after all.

Then, in what may have been a misguided fit of pique, Koethi threw away her all-black daywear and her thrift-store evening gowns, and went to YaleLawSchool, with some vague idea of becoming a film producer.  Afterwards, however, she unexpectedly found herself twenty-eight stories up in the Manhattan offices of Davis Polk & Wardwell, a prestigious white shoe law firm that represented mostly investment banks.  She regularly pulled all-nighters working on secured financings and revolving credit facilities.  She tended to wear demure black pantsuits, with her hair up.

It didn’t take her long to realize corporate life wasn’t for her, and Koethi spent the next fifteen years practicing entertainment law both in private practice (at Paul Weiss Rifkind Wharton & Garrison and, later, Schreck Rose & Dapello) and in-house business and legal affairs positions (for the film producer, Ed Pressman, and, most recently, at MTV), with a slight detour along the way to study cinema at NYU’s Tisch School of the Arts.

As an entertainment lawyer, Koethi attended glamorous premieres and openings, international film festivals and celebrity-filled parties.  She dealt with gritty production issues as varied as suicide threats, drug overdoses and sex-tape allegations.  She warred with Hollywood agents and befriended reality stars.

Then, while Senior Vice President & Deputy General Counsel at MTV, she decided to fulfill a lifelong dream on the side, and in the early mornings she wrote a crime novel, The Never List.

Now, coming full circle in a way, Koethi, her husband, Stephen Metcalf, and their two daughters, live in an old farmhouse in a rural community in upstate New York.  Her husband occasionally watches a football game on television.  But her daughters have never even heard of homecoming queens.

Koethi Zan.credit Pieter M van Hattem photo credit: Pieter M van Hattem

 

PRAISE FOR THE NEVER LIST:

Throat-clutching from the outset! THE NEVER LIST stands as a sterling example of psychological thriller writing at its best. Cancel appointments and give up on sleep. It’s that kind of book.”

Jeffery Deaver

“A novel with powerful and poignant psychological insights.  Zan’s razor-sharp debut combines the very best of page-turning suspense with classic head-game thrills and chills.  Not to be missed.”

Lisa Gardner

 

THE NEVER LIST is a perfect entertainment. Thrilling, super smart, witty, and just about the most distracting thing in my recent life. I’ve stayed up past my bedtime, missed whole subway stops, left children at the playground. First readers will have to know what happens, and then they’ll be awed by the flair with which Koethi Zan makes it happen.  This novel deserves all the success it is sure to have.”

Darin Strauss

“A nonstop thriller with heart-wrenching twists.”

Jed Rubenfeld

ABOUT THE BOOK: For years, Sarah Farber and her best friend, Jennifer, kept what they called “The Never List”: a list of actions to be avoided, for safety’s sake, at all costs.  Then, the unthinkable happens.  They ignore their best instincts and are lured into a cab by a driver they don’t know.   For the next three years they are held captive in a cellar with two other girls in a dungeon-like cellar by a connoisseur of sadism.

Ten years later, at thirty-one, Sarah is still struggling to resume a normal life, unable to come to grips with the fact that her best friend didn’t make it out of the cellar. Now, her abductor is up for parole and Sarah finds that she can no longer ignore the twisted letters he has been sending her from jail.  Finally, Sarah decides to confron her phobias—and the other survivors, who hold their own grudges against her.  When she goes on a cross-country chase that takes her into the world of BDSM, secret cults, and the arcane study of torture, she begins unraveling a mystery more horrifying than even she could have imagined.

A shocking, blazingly fast read, Koethi Zan’s debut is a must for fans of Karin Slaughter, Laura Lippman, and S.J. Watson.

 

Guest Blogger Sarah Brooks: Does What We Read Online Have Anything to Do with What Movies We Like?

     Posted on Mon ,04/03/2013 by Administrator

Does What We Read Online Have Anything to Do with What Movies We Like?

What’s your favorite scary movie?

The internet is what we turn to for just about anything. Am I right, or am I right? We read the news, catch up on sports and the latest celebrity gossip, check the weather and our emails, and read reviews of the latest books, movies, and restaurants. What we read online can affect how we dress for the day, what type of mood we’re in, where we plan on dining for lunch, and what movie we plan on seeing over the weekend.

More specifically, though, just how much does what we read online affect the types of movies we see?

In short, it affects us greatly. Studies show that online reviews play a dominant role in box office sales. If reviews are good, sales are high; if reviews are poor, sales are low.

Horror movies are a perfect example of this effect. Some movies – such as the Twilight saga, Star Wars trilogy, or Harry Potter films – will be popular no matter what the reviews say. Every movie critic out there could give Twilight one star, and the theaters would still be packed. Horror and suspense films, on the other hand, are more impacted by reviews since they affect us emotionally.

Say, for example, you love suspense films but can’t handle the sight of blood and gore. You’ll most likely read online reviews before venturing into the theater or renting the movie from Netflix or the nearest Redbox. What you read will greatly impact your decision to see the movie. If online reviewers stated the movie was “scary and suspenseful, without any gore,” you’re sold. If, on the other hand, online reviewers stated it was “scary and suspenseful, and full of blood and guts,” you’ll most likely choose a different movie to see.

The same rings true for other genres, but horror and suspense films are still the most affected by online reviews. Comedies, for example, aren’t as heavy on the emotions as horror movies are, so even if the reviews are poor, you may still be inclined to see it, knowing you won’t be scared out of your mind.

What types of people like horror movies, anyways?

Studies show that people who seek adventure and thrill in life are usually more likely to enjoy a horror film than people who don’t. People who read suspense novels, watch CSI and other crime shows, and are fascinated by kidnappings and murders are also more likely to watch a horror movie.

If a kidnapping or murder were to happen in your area, horror movie sales would go up because the interest would peak due to the occurrence of the real-life event. Horror movies also increase your heart rate and cause a spike in adrenaline, two things that thrill-seekers live for.

Point in closing

Yes, what we read online has an effect on what types of movies we like and see. Since horror and suspense films affect our emotions more than action movies and comedies, we’re much more inclined to read the reviews carefully and make choices based on those reviews. Comedies, action movies, and dramas don’t have a strong physical or emotional effect on us, so we’ll see the movie simply if our favorite actor is in it, even if it got horrible reviews.

Sarah Brooks is a freelance writer working for sites such as Reputation.com. She writes on a variety of topics from small business to food and nutrition.

What would you do?

     Posted on Fri ,25/01/2013 by Administrator
What would you do?

Placing yourself into situations that are not comfortable help the author realize exactly what a normal person would do. Let’s give some examples. You are walking down the street by yourself at night. Up ahead you see four guys being very loud coming your way. You assess the situation and realize that this might not end up well. Do you continue down the road you are walking and walk past them, or do you decide to turn around and find another route, not knowing what could be lurking on the other path? You have some decisions to make. How would you feel? Would your heart be racing a mile a minute? Would you start to sweat in places you shouldn’t sweat unless you have been working out? How about this situation we see a lot in films and yell at the screen every time. Now again, you have to take yourself out of the audience and think if you were in this one, what you would do?

You are lying in bed and hear a noise downstairs. You don’t have any animals, so you know it’s not the cat running around acting well, like a cat. Do you go downstairs and check it out? Do you call the police thinking that someone is in the house? If you have a gun, do you grab it first and check it out or maybe a golf club or baseball bat? Again, how would you feel, what would be going through your head? Of course, you could be thinking the worst, but it might be nothing also; however, you don’t know this. But when we watch the movies, we know that the killer has been killing people throughout the movie and now he is in your house waiting for you. But now this isn’t the movies and you have no idea what is in the dark.

By putting yourself into situations like this, really think about how you would act and what you would do. I’ll tell you what, I would be peeing my pants first, and after I changed them, I would probably go very slowly to the top of the stairs and listen. Praying that the noise I just heard was either in my head, or simply a benign noise that every house has. My blood pressure would jump twenty points and my pulse would be getting close to two hundred.

This is all part of research and thinking of exactly how your character would act in a situation like this. Make your character believable, not fantasy, unless of course, that is what you are writing. But some perspective into the complex situations you are writing with each scene. Give the reader the inside look at what your character is feeling and that they are racing all the possibilities through their head. Remember that everyone is never perfect and makes many mistakes. Hell, I’ve made a couple dozen just in the last day alone.

But situations aren’t the end all to character development, dialogue is very, very important. Interaction between characters can make or break a story. Again, remember that everyone speaks differently, so don’t have all your dialogue sound the same. In writing “Green Lake,” I had someone email me and say that one of my characters said something stupid. I had a fire engine racing by on the road on someone said “God I hope it isn’t a fire.” The reader took offense to that, and said what else would it be, a weenie roast, what a stupid statement. Exactly a stupid statement, that is the point. In everyday life, we hear stupid statements every day, from the person in line at Starbucks, to a co-worker to a family member, people aren’t perfect, so don’t make them perfect. Stephen King is probably the absolute best dialogue writer I’ve ever seen. Each character has a voice and if you have to keep putting ‘he said’ or ‘she said’ at the end of each statement, then you are writing bad dialogue. The reader should have no problem figuring out who is talking.

These are just some things to think about when you are writing and creating your world of characters. People are like snowflakes, no two are the same and they will act differently in certain situations and not all sound exactly alike. So don’t be afraid to throw in some stupid statements and crazy actions, ’cause don’t we know life is stranger than fiction.
John Raab
CEO / Publisher
Suspense Magazine
editor@suspensemagazine.com

Guest Blogger, Richard Godwin, “Gothic Roots of Horror”

     Posted on Sun ,20/01/2013 by Administrator

GOTHIC ROOTS OF HORROR, Richard Godwin.

 

In the latter part of the eighteenth century there was a flowering of Gothic literature in England that ran alongside the Romantic Movement. They had one overriding thing in common: the treatment of the irrational in literature, from the graveyard poetry of the Romantic poets to the horrors contained in the early Gothic novels, among them the influential work by Matthew Lewis, The Monk. The novel concerns the struggle between maintaining monastic vows and the fulfilment of personal ambitions of its main character, the monk Ambrosio. And it exposes the strength of the irrational as Ambrosio is driven to the breaking of his vows, then to sexual obsession and rape, and finally to murder.

If you place this novel and the other works being written in the historical context of the Age Of Reason we can see a backlash against the idea that we are ruled by reason. This was the era in which early Gothic works like Horace Walpole’s The Castle Of Otranto were written and the Romantics explored their concepts of the imagination. Byron wrote a Gothic piece in Manfred and Shelley himself wrote Zastrozzi while his wife wrote one of the first great horror novels in Frankenstein.

It is as if unreason, which had been repressed throughout the Enlightenment period, erupts in the fantastic art of Sade, Goya, and horror fiction. Michel Foucault commented in Madness and Civilization that the classical period had confined:

 

 

 

“not only an abstract unreason but also an enormous reservoir of the fantastic… One might say that the fortresses of confinement added to their social role of segregation and purification a quite opposite cultural function… they functioned as a great, long, silent memory.” 1.

The dialectic is between reason and unreason. What drives Mary Shelley’s novel is the desire to be united with the other. The monster is Frankenstein’s lost selves, parts of his identity he has severed and become alienated from. Carl Jung believed we project those parts of our identity we do not like outwards. It is what he called the shadow, and I believe horror fiction operates by challenging the reader with the shadow.

In the Unites States similar things were happening. Charles Brockden Brown wrote a series of Gothic novels based on the subversion of rationality. His novel Edgar Huntly, Or Memoirs Of A Sleep-Walker encapsulates this. Similarly Poe’s stories use enclosures to express psychic terrors and primal desires.

But what is the difference between terror and horror?

It was Anne Radcliffe, author of The Mysteries Of Udolpho, who first made a distinction between terror and horror in literature. She wrote that terror is characterised by “obscurity” or indeterminacy in its treatment of potentially horrible events and it is this indeterminacy that leads to the sublime. She said that the sublime “expands the soul and awakens the faculties to a high degree of life”. Horror “freezes and annihilates them”. Typically terror is described as a feeling of dread and anticipation preceding the horrifying experience. Horror is described as the feeling of revulsion after something frightening is experienced.

 

Horror literature exists at the edge of the body of the rational that holds society together, and as such subverts the kind of certainties that other genres rely on for their narrative cohesion and representation of reality, for horror shows the reader a distorted version of reality, a reflection that becomes familiar as the reader recognises the face in the window and realises it is the one he dreaded seeing.

My second novel, Mr. Glamour has been described as a hybrid by reviewers, a cross between crime fiction and horror. I believe that it is a natural hybrid, since there is often more horror in crime than the things we identify as the themes of horror fiction. My debut novel Apostle Rising explores the tension that exists between the clearly identifiable motives of a criminal and motives that go to the extremes of pathology. I believe that humans are governed by irrational impulses they seek and often fail to understand and it is these impulses that fiction dealing with fear and suspense dramatises.

www.richardgodwin.net

Active member of the CWA, HWA, ITW, SINC.

 

  1. Foucault, Madness and Civilization, P.210.

Once in a while I get interviewed, check it out here.

     Posted on Fri ,11/01/2013 by Administrator

I would like to thank Jim Harrington for interviewing me on a variety of subjects. You can follow his blog at: http://www.blogger.com/profile/15467182228068339233

Here is my interview.

 

Six Questions for John Raab, Publisher/CEO/Editor-in-Chief, Suspense Magazine

Suspense Magazine publishes suspense, thriller, and mystery stories. Learn more here.
SQF: What are the top three things you look for in a submission and why?
JR: The first thing we look at “Is the story within our word count.” Many times we get stories outside of our 5000 word count and have to tell the author to either shorten it up, or we won’t consider it. When reading a submission, it is very crucial to see if the author flows the story and has good character development. Even though it is a challenge to develop characters in a 5000 word story, it can still be done.
SQF: What are the top three reasons a submission is rejected, other than not fitting into your answers to the above question and why?
JR:
  1. Grammar is very poor. It doesn’t take a lot of time to edit a short story, so it better be perfect or very close to it.
  2. The story doesn’t have a clear voice or is very choppy. The author needs to make sure when they read the story they are doing it from a readers point of view. Remember the reader knows nothing about your story, so don’t assume anything.
  3. The third reason would be it just doesn’t tell a story. Many times we read submissions that leave us wondering, “What the heck is the story about?” Very important to make sure within 5000 words you make entertaining.
SQF: Which of the following statements is true and why? Plot is more important than character. Character is more important than plot. Plot and character are equally important. 
JR:  If you are talking about a short story, then plot would be more important. Otherwise you spend all 5000 words just developing the characters, but they don’t do anything. With a book, I say 100% character is the most important part. Characters are what give the reader an emotional attachment. There are very few stories that have an original plot, so building new characters that we haven’t seen is very crucial.
SQF: What advice can you offer new authors hoping to publish their first submission in Suspense Magazine?
JR: The number one thing to do is have someone read your story that isn’t a family member or friend. Post it on a blog and see what people think. Authors need to have constructive criticism, not the American Idol pat on the back from your family. Also, keep writing, writing, writing! You will not hit a home run on the first pitch, at least the odds are against you, so you have to keep writing and writing to find your voice. Also knowing exactly what type of author you are is very important. Are you a fast paced thriller author, or a suspense building author, or maybe a solve the mystery author. Then you will be better prepared to let your story have a clear concise voice, not a story that is all over the place.
SQF: Based on your experience as an editor, what have you learned about writing?
JR: Writing is a full time job. You need to work at it as hard as your nine-to-five job. Anytime you put half effort into anything, you will only get half a story.
SQF: What one question on this topic do you wish I’d asked that I didn’t? And how would you answer it?
JR: “What can you truly expect to get out of your writing?” I feel that many authors have false expectations and think they are writing the next NY Times Bestseller. Here is the problem with that. Just because your book is not high on a list or selling that great, doesn’t mean you can’t write. Authors have to remember that anybody can now publish an EBook on Amazon or Barnes and Noble. What does that mean? That means that readers now have to navigate through thousands of more books to find one they like and readers only have a certain amount of money to spend. If you don’t have thousands of marketing dollars behind your work, then you have to spend triple the amount of time marketing to fans than it took you to write the book. Writing the book is the easy part, getting paid from it is the difficult part. Authors should expect to not retire off their work, but instead write for the love of it, because it is your passion. Writing and music are the same thing, you see a great band in a bar and say “They are better than anything I hear on the radio, why aren’t they signed?” Writing is the same way.
Thank you, John. We all appreciate you taking time from your busy schedule to participate in this project.